![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWJiRJHtjBLiYzAz6xik7RE_MD-8YY7uG1ngdD9u1sq40P2DUfhFCg3k7Z5-_y4yB5s2F6E6pOenHsONdV7FpLxaoBezClXBxNSv88PfQZEWL_hQOQ2Sfh4MGmvqnC6aF3zk4NNmyRsN0/s320/250px-San_Gregorio_al_Celio_-_affresco_soffitto_-_antmoose.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii21UFUgOfIEoZp32jM6aAU0GL-B3UGtj1xk5sQ_wCMUMMl24uO850D2TouEiTMnLJCmVij1S5ljaFvtlgvKJsjeZPyIPjTmTgS52brKNq0XQHOpvg0XoQROzYN9DPaxmukVT1GHQTXJY/s320/Costanzi+TMA.jpg)
Usually right across the gallery from this work is David's reduced autograph copy (I disagree with the scholars who think it's by a student) of the great Oath of the Horatii. If David did indeed paint this, he painted it in Rome, in the same space that had been Costanzi's studio. How wonderful, then, that these two works painted many years apart but quite literally in the same light and ended up in the same American art museum. Way to go, TMA.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZWaELXI3mh6sxd33L7EoY7SHj0W2SMB4be8ICurSn1xjCi3TgQ8D-tq-n86KL_ZXi0RqUB6A8cfsjldnMlE0-qFnknW8YfuQ7wXzMNzYPSQNz0djlFGZRmPdpUkLPv8zdsc2liYJPCyM/s320/David+Oath.jpg)